Place in time

An intimate and moving account of the last months of a man's life, and the close relationship he shared with his loving family.

A project by Uiga Bashford–then in her fourth year of undergraduate study at the School of Fine Arts, University of Canterbury–revisiting the same stretch of road documented by students ten years prior.

(Re)Orientation is a work in progress and idiosyncratic guide to sites of significance to Christchurch’s post-earthquake narrative and the built and psychological landscapes that have come to define it.

The images in this gallery form a representative selection from Vestiges, Tim J. Veling’s ongoing body of work documenting post-earthquake change in the red zoned suburb of Avonside, Christchurch.

A body of work about a stretch of Stanmore Road and the community that photographer Danny Bare called home.

In September of 2017, Haruhiko Sameshima undertook a short teaching and artist residency at the School of Fine Arts, producing a body of work about the rebuild of Christchurch's central business district.

A profile of one Christchurch suburb and the people who call Aranui home.

Examining relationships with immediate family, close friends and the natural landscape, the Winter Garden negotiates the complexity in reconciling Christchurch as the place McFetridge grew up in and an earthquake affected city.

The Cardboard Cathedral project captured the imagination of many, nationally and internationally. The building slowly rose, put together step by step, tube by tube, day by day – the handwork of those who believed in the idea.

A collaborative documentary project on Colombo Street, one of Christchurch’s main arterial roads that spans 6.2 kilometers and runs through the heart of the city, from Edgeware to Cashmere.

Bloodlines​ documents places of cultural and historical significance associated with Ngāi Tahu Māori and uses photography as a means of retracing the footsteps of Arabella's ancestors.