Place in time

This small portfolio of photographs, made between odd jobs on the way to and from work, is a metaphorical tribute to the people that helped keep Tim Veling upright following the Christchurch earthquakes of 2010 and 2011.

Up From Water is a collaborative project that looks at three Christchurch pentecostal church communities.

A body of work about Blair Barclay's grandfather, Clem Derreett, and his search for peace near the end of his life, his attachment to place and the solace he found there.

These are the Days is a story conveyed with photographs and text about a family dealing with grief and illness after Ib Glover’s diagnosis with breast cancer.

An intimate and moving account of the last months of a man's life, and the close relationship he shared with his loving family.

Through the Trees was born from a series of trips Mitchell Bright took to the outskirts of rural parts of the South Island, mostly in an effort to escape the confines of the city.

A project by Uiga Bashford–then in her fourth year of undergraduate study at the School of Fine Arts, University of Canterbury–revisiting the same stretch of road documented by students ten years prior.

An ongoing body of work about Christchurch's rapidly changing Cathedral Square. A sample of images made to date.

Based on countless journeys made over a three year period on the Christchurch bus system, Red Bus Diary documents through insightful images and text a series of interactions and observations, both public and personal.

In September of 2017, Haruhiko Sameshima undertook a short teaching and artist residency at the School of Fine Arts, producing a body of work about the rebuild of Christchurch's central business district.

(Re)Orientation is a work in progress and idiosyncratic guide to sites of significance to Christchurch’s post-earthquake narrative and the built and psychological landscapes that have come to define it.