Place in time

Examining relationships with immediate family, close friends and the natural landscape, the Winter Garden negotiates the complexity in reconciling Christchurch as the place McFetridge grew up in and an earthquake affected city.

A body of work about a stretch of Stanmore Road and the community that photographer Danny Bare called home.

An intimate and moving account of the last months of a man's life, and the close relationship he shared with his loving family.

Through the Trees was born from a series of trips Mitchell Bright took to the outskirts of rural parts of the South Island, mostly in an effort to escape the confines of the city.

Bloodlines​ documents places of cultural and historical significance associated with Ngāi Tahu Māori and uses photography as a means of retracing the footsteps of Arabella's ancestors.

As the devastating series of earthquakes that destroyed and subsequently closed off much of Christchurch city continued, residents in large areas of the badly affected eastern suburbs began for the first time to hear the words, Red Zone.

An ongoing body of work that explores past and present cultural attitudes towards Whakaraupō, Lyttelton Harbour and how people identify themselves with this environment today.

Made in response to the Christchurch earthquake of February 22nd 2011, Orientation is a body of work conceived to be seen primarily within the context of an artist book.

An ongoing body of work about Christchurch's rapidly changing Cathedral Square. A sample of images made to date.

The Cardboard Cathedral project captured the imagination of many, nationally and internationally. The building slowly rose, put together step by step, tube by tube, day by day – the handwork of those who believed in the idea.