Place in time

The Christchurch Documentary Project

Contents

Returnal

  • Tim J. Veling

To revisit time and again. Days, months and years – a decade already. To study sites from multiple vantage points, ponder the changing light and respond to shifts in weather and seasons. A work in progress drawn from my unwieldily archive.

Through the Trees

  • Mitchell Bright

Through the Trees was born from a series of trips Mitchell Bright took to the outskirts of rural parts of the South Island, mostly in an effort to escape the confines of the city.

As the Road Bends

  • Blair Barclay

A body of work about Blair Barclay's grandfather, Clem Derreett, and his search for peace near the end of his life, his attachment to place and the solace he found there.

Transitional Landscapes

  • Mitchell Bright

A body of work about Selwyn, one of the fastest growing districts in the country, both in terms of commercial and residential development.

Rewilding

  • Tim J. Veling

A body of work that follows on from Thx 4 the Memories and Vestiges, documenting Christchurch's red zoned suburb of Avonside.

Vestiges

  • Tim J. Veling

The images in this gallery form a representative selection from Vestiges, Tim J. Veling’s ongoing body of work documenting post-earthquake change in the red zoned suburb of Avonside, Christchurch.

The Freeville Project

  • Tim J. Veling
  • David Cook

A collaborative project by David Cook, Tim J. Veling and the students and teachers of Freeville School, New Brighton, Christchurch. Freeville was scheduled for closure by the Ministry of Education following the 2010 and 2011 Christchurch earthquakes.

Orientation

  • Tim J. Veling

Made in response to the Christchurch earthquake of February 22nd 2011, Orientation is a body of work conceived to be seen primarily within the context of an artist book.

Cathedral Square

  • Tim J. Veling

An ongoing body of work about Christchurch's rapidly changing Cathedral Square. A sample of images made to date.

Colombo Street 2002

  • Uiga Bashford

A project by Uiga Bashford–then in her fourth year of undergraduate study at the School of Fine Arts, University of Canterbury–revisiting the same stretch of road documented by students ten years prior.

Caring for the dead

  • Bridgit Anderson

‘Over the course of a year (2005/06), I worked closely with a Christchurch firm of funeral directors and with families who had recently lost loved ones.'

The Cardboard Cathedral

  • Bridgit Anderson

The Cardboard Cathedral project captured the imagination of many, nationally and internationally. The building slowly rose, put together step by step, tube by tube, day by day – the handwork of those who believed in the idea.

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