Place in time

This small portfolio of photographs, made between odd jobs on the way to and from work, is a metaphorical tribute to the people that helped keep Tim Veling upright following the Christchurch earthquakes of 2010 and 2011.

(Re)Orientation is a work in progress and idiosyncratic guide to sites of significance to Christchurch’s post-earthquake narrative and the built and psychological landscapes that have come to define it.

Think about it: What's a place of significance to you? What makes one place more important to you than another? What's your connection with this place and what is it that continues to make it important in your life today?

A body of work about Blair Barclay's grandfather, Clem Derreett, and his search for peace near the end of his life, his attachment to place and the solace he found there.

A profile of one Christchurch suburb and the people who call Aranui home.

A project by Uiga Bashford–then in her fourth year of undergraduate study at the School of Fine Arts, University of Canterbury–revisiting the same stretch of road documented by students ten years prior.

A body of work about a stretch of Stanmore Road and the community that photographer Danny Bare called home.

As the devastating series of earthquakes that destroyed and subsequently closed off much of Christchurch city continued, residents in large areas of the badly affected eastern suburbs began for the first time to hear the words, Red Zone.

Examining relationships with immediate family, close friends and the natural landscape, the Winter Garden negotiates the complexity in reconciling Christchurch as the place McFetridge grew up in and an earthquake affected city.

Through the Trees was born from a series of trips Mitchell Bright took to the outskirts of rural parts of the South Island, mostly in an effort to escape the confines of the city.