Place in time

Bloodlines​ documents places of cultural and historical significance associated with Ngāi Tahu Māori and uses photography as a means of retracing the footsteps of Arabella's ancestors.

A body of work about Selwyn, one of the fastest growing districts in the country, both in terms of commercial and residential development.

Examining relationships with immediate family, close friends and the natural landscape, the Winter Garden negotiates the complexity in reconciling Christchurch as the place McFetridge grew up in and an earthquake affected city.

The images in this gallery form a representative selection from Vestiges, Tim J. Veling’s ongoing body of work documenting post-earthquake change in the red zoned suburb of Avonside, Christchurch.

A collaborative project by David Cook, Tim J. Veling and the students and teachers of Freeville School, New Brighton, Christchurch. Freeville was scheduled for closure by the Ministry of Education following the 2010 and 2011 Christchurch earthquakes.

In September of 2017, Haruhiko Sameshima undertook a short teaching and artist residency at the School of Fine Arts, producing a body of work about the rebuild of Christchurch's central business district.

An ongoing project documenting the sometimes surreal and often disorientating environment that is Christchurch’s post-earthquake central business district.

An ongoing body of work about Christchurch's rapidly changing Cathedral Square. A sample of images made to date.

A body of work about a stretch of Stanmore Road and the community that photographer Danny Bare called home.

As the devastating series of earthquakes that destroyed and subsequently closed off much of Christchurch city continued, residents in large areas of the badly affected eastern suburbs began for the first time to hear the words, Red Zone.

A profile of one Christchurch suburb and the people who call Aranui home.