Place in time

An ongoing project documenting the sometimes surreal and often disorientating environment that is Christchurch’s post-earthquake central business district.

Based on countless journeys made over a three year period on the Christchurch bus system, Red Bus Diary documents through insightful images and text a series of interactions and observations, both public and personal.

An ongoing body of work that explores past and present cultural attitudes towards Whakaraupō, Lyttelton Harbour and how people identify themselves with this environment today.

Made in response to the Christchurch earthquake of February 22nd 2011, Orientation is a body of work conceived to be seen primarily within the context of an artist book.

A body of work about Selwyn, one of the fastest growing districts in the country, both in terms of commercial and residential development.

To revisit time and again. Days, months and years – a decade already. To study sites from multiple vantage points, ponder the changing light and respond to shifts in weather and seasons. A work in progress drawn from my unwieldily archive.

Think about it: What's a place of significance to you? What makes one place more important to you than another? What's your connection with this place and what is it that continues to make it important in your life today?

These are the Days is a story conveyed with photographs and text about a family dealing with grief and illness after Ib Glover’s diagnosis with breast cancer.

The images in this gallery form a representative selection from Vestiges, Tim J. Veling’s ongoing body of work documenting post-earthquake change in the red zoned suburb of Avonside, Christchurch.

‘Over the course of a year (2005/06), I worked closely with a Christchurch firm of funeral directors and with families who had recently lost loved ones.'

A collaborative documentary project on Colombo Street, one of Christchurch’s main arterial roads that spans 6.2 kilometers and runs through the heart of the city, from Edgeware to Cashmere.

A body of work about Blair Barclay's grandfather, Clem Derreett, and his search for peace near the end of his life, his attachment to place and the solace he found there.