Place in time

An intimate and moving account of the last months of a man's life, and the close relationship he shared with his loving family.

‘Over the course of a year (2005/06), I worked closely with a Christchurch firm of funeral directors and with families who had recently lost loved ones.'

Made in response to the Christchurch earthquake of February 22nd 2011, Orientation is a body of work conceived to be seen primarily within the context of an artist book.

A body of work about Selwyn, one of the fastest growing districts in the country, both in terms of commercial and residential development.

An ongoing body of work that explores past and present cultural attitudes towards Whakaraupō, Lyttelton Harbour and how people identify themselves with this environment today.

As the devastating series of earthquakes that destroyed and subsequently closed off much of Christchurch city continued, residents in large areas of the badly affected eastern suburbs began for the first time to hear the words, Red Zone.

A project by Uiga Bashford–then in her fourth year of undergraduate study at the School of Fine Arts, University of Canterbury–revisiting the same stretch of road documented by students ten years prior.

The Cardboard Cathedral project captured the imagination of many, nationally and internationally. The building slowly rose, put together step by step, tube by tube, day by day – the handwork of those who believed in the idea.

In September of 2017, Haruhiko Sameshima undertook a short teaching and artist residency at the School of Fine Arts, producing a body of work about the rebuild of Christchurch's central business district.

A body of work about a stretch of Stanmore Road and the community that photographer Danny Bare called home.