Place in time

A body of work about Blair Barclay's grandfather, Clem Derreett, and his search for peace near the end of his life, his attachment to place and the solace he found there.

An intimate and moving account of the last months of a man's life, and the close relationship he shared with his loving family.

An ongoing body of work that explores past and present cultural attitudes towards Whakaraupō, Lyttelton Harbour and how people identify themselves with this environment today.

(Re)Orientation is a work in progress and idiosyncratic guide to sites of significance to Christchurch’s post-earthquake narrative and the built and psychological landscapes that have come to define it.

As the devastating series of earthquakes that destroyed and subsequently closed off much of Christchurch city continued, residents in large areas of the badly affected eastern suburbs began for the first time to hear the words, Red Zone.

The images in this gallery form a representative selection from Vestiges, Tim J. Veling’s ongoing body of work documenting post-earthquake change in the red zoned suburb of Avonside, Christchurch.

This small portfolio of photographs, made between odd jobs on the way to and from work, is a metaphorical tribute to the people that helped keep Tim Veling upright following the Christchurch earthquakes of 2010 and 2011.

These are the Days is a story conveyed with photographs and text about a family dealing with grief and illness after Ib Glover’s diagnosis with breast cancer.

Bloodlines​ documents places of cultural and historical significance associated with Ngāi Tahu Māori and uses photography as a means of retracing the footsteps of Arabella's ancestors.

To revisit time and again. Days, months and years – a decade already. To study sites from multiple vantage points, ponder the changing light and respond to shifts in weather and seasons. A work in progress drawn from my unwieldily archive.

A body of work about a stretch of Stanmore Road and the community that photographer Danny Bare called home.