Place in time

The Christchurch Documentary Project

Contents

Caring for the dead

  • Bridgit Anderson

‘Over the course of a year (2005/06), I worked closely with a Christchurch firm of funeral directors and with families who had recently lost loved ones.'

re-Build

  • Haruhiko Sameshima

In September of 2017, Haruhiko Sameshima undertook a short teaching and artist residency at the School of Fine Arts, producing a body of work about the rebuild of Christchurch's central business district.

Thx 4 the Memories

  • Tim J. Veling
  • Glenn Busch
  • Bridgit Anderson

As the devastating series of earthquakes that destroyed and subsequently closed off much of Christchurch city continued, residents in large areas of the badly affected eastern suburbs began for the first time to hear the words, Red Zone.

D,P,O

  • Tim J. Veling

An intimate and moving account of the last months of a man's life, and the close relationship he shared with his loving family.

Support Structures

  • Tim J. Veling

This small portfolio of photographs, made between odd jobs on the way to and from work, is a metaphorical tribute to the people that helped keep Tim Veling upright following the Christchurch earthquakes of 2010 and 2011.

Vestiges

  • Tim J. Veling

The images in this gallery form a representative selection from Vestiges, Tim J. Veling’s ongoing body of work documenting post-earthquake change in the red zoned suburb of Avonside, Christchurch.

Colombo Street 1992

  • Josephine Meachen
  • Sarah Laffan
  • Kirsty MacDonald
  • Chris Pownall
  • Robin Hely

A collaborative documentary project on Colombo Street, one of Christchurch’s main arterial roads that spans 6.2 kilometers and runs through the heart of the city, from Edgeware to Cashmere.

Ko te whanga ko au; Ko au ko te whanga

  • Ellie Waters

An ongoing body of work that explores past and present cultural attitudes towards Whakaraupō, Lyttelton Harbour and how people identify themselves with this environment today.

Through the Trees

  • Mitchell Bright

Through the Trees was born from a series of trips Mitchell Bright took to the outskirts of rural parts of the South Island, mostly in an effort to escape the confines of the city.

Colombo Street 2002

  • Uiga Bashford

A project by Uiga Bashford–then in her fourth year of undergraduate study at the School of Fine Arts, University of Canterbury–revisiting the same stretch of road documented by students ten years prior.

Bloodlines

  • Arabella Spoors

Bloodlines​ documents places of cultural and historical significance associated with Ngāi Tahu Māori and uses photography as a means of retracing the footsteps of Arabella's ancestors.

Up From Water

  • Uiga Bashford
  • Christopher Hooton
  • Mark Gore

Up From Water is a collaborative project that looks at three Christchurch pentecostal church communities.

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