Place in time

To revisit time and again. Days, months and years – a decade already. To study sites from multiple vantage points, ponder the changing light and respond to shifts in weather and seasons. A work in progress drawn from my unwieldily archive.

The Cardboard Cathedral project captured the imagination of many, nationally and internationally. The building slowly rose, put together step by step, tube by tube, day by day – the handwork of those who believed in the idea.

As the devastating series of earthquakes that destroyed and subsequently closed off much of Christchurch city continued, residents in large areas of the badly affected eastern suburbs began for the first time to hear the words, Red Zone.

An ongoing project documenting the sometimes surreal and often disorientating environment that is Christchurch’s post-earthquake central business district.

Made in response to the Christchurch earthquake of February 22nd 2011, Orientation is a body of work conceived to be seen primarily within the context of an artist book.

Based on countless journeys made over a three year period on the Christchurch bus system, Red Bus Diary documents through insightful images and text a series of interactions and observations, both public and personal.

This small portfolio of photographs, made between odd jobs on the way to and from work, is a metaphorical tribute to the people that helped keep Tim Veling upright following the Christchurch earthquakes of 2010 and 2011.

An ongoing body of work about Christchurch's rapidly changing Cathedral Square. A sample of images made to date.

A collaborative documentary project on Colombo Street, one of Christchurch’s main arterial roads that spans 6.2 kilometers and runs through the heart of the city, from Edgeware to Cashmere.

A body of work documenting year nine students at five Christchurch secondary schools, Aranui High, Cashmere High, Christ's College, Hagley Community College and St Margaret's College.

Bloodlines​ documents places of cultural and historical significance associated with Ngāi Tahu Māori and uses photography as a means of retracing the footsteps of Arabella's ancestors.