Place in time

(Re)Orientation is a work in progress and idiosyncratic guide to sites of significance to Christchurch’s post-earthquake narrative and the built and psychological landscapes that have come to define it.

Based on countless journeys made over a three year period on the Christchurch bus system, Red Bus Diary documents through insightful images and text a series of interactions and observations, both public and personal.

Through the Trees was born from a series of trips Mitchell Bright took to the outskirts of rural parts of the South Island, mostly in an effort to escape the confines of the city.

To revisit time and again. Days, months and years – a decade already. To study sites from multiple vantage points, ponder the changing light and respond to shifts in weather and seasons. A work in progress drawn from my unwieldily archive.

The Cardboard Cathedral project captured the imagination of many, nationally and internationally. The building slowly rose, put together step by step, tube by tube, day by day – the handwork of those who believed in the idea.

An ongoing body of work about Christchurch's rapidly changing Cathedral Square. A sample of images made to date.

In September of 2017, Haruhiko Sameshima undertook a short teaching and artist residency at the School of Fine Arts, producing a body of work about the rebuild of Christchurch's central business district.

A body of work about a stretch of Stanmore Road and the community that photographer Danny Bare called home.

As the devastating series of earthquakes that destroyed and subsequently closed off much of Christchurch city continued, residents in large areas of the badly affected eastern suburbs began for the first time to hear the words, Red Zone.

Up From Water is a collaborative project that looks at three Christchurch pentecostal church communities.

These are the Days is a story conveyed with photographs and text about a family dealing with grief and illness after Ib Glover’s diagnosis with breast cancer.