Place in time

Based on countless journeys made over a three year period on the Christchurch bus system, Red Bus Diary documents through insightful images and text a series of interactions and observations, both public and personal.

In September of 2017, Haruhiko Sameshima undertook a short teaching and artist residency at the School of Fine Arts, producing a body of work about the rebuild of Christchurch's central business district.

Bloodlines​ documents places of cultural and historical significance associated with Ngāi Tahu Māori and uses photography as a means of retracing the footsteps of Arabella's ancestors.

An ongoing body of work about Christchurch's rapidly changing Cathedral Square. A sample of images made to date.

An intimate and moving account of the last months of a man's life, and the close relationship he shared with his loving family.

A body of work about a stretch of Stanmore Road and the community that photographer Danny Bare called home.

An ongoing body of work that explores past and present cultural attitudes towards Whakaraupō, Lyttelton Harbour and how people identify themselves with this environment today.

Through the Trees was born from a series of trips Mitchell Bright took to the outskirts of rural parts of the South Island, mostly in an effort to escape the confines of the city.

This small portfolio of photographs, made between odd jobs on the way to and from work, is a metaphorical tribute to the people that helped keep Tim Veling upright following the Christchurch earthquakes of 2010 and 2011.

A profile of one Christchurch suburb and the people who call Aranui home.

(Re)Orientation is a work in progress and idiosyncratic guide to sites of significance to Christchurch’s post-earthquake narrative and the built and psychological landscapes that have come to define it.