Place in time

An intimate and moving account of the last months of a man's life, and the close relationship he shared with his loving family.

An ongoing body of work about Christchurch's rapidly changing Cathedral Square. A sample of images made to date.

A body of work about Selwyn, one of the fastest growing districts in the country, both in terms of commercial and residential development.

In September of 2017, Haruhiko Sameshima undertook a short teaching and artist residency at the School of Fine Arts, producing a body of work about the rebuild of Christchurch's central business district.

‘Over the course of a year (2005/06), I worked closely with a Christchurch firm of funeral directors and with families who had recently lost loved ones.'

The Cardboard Cathedral project captured the imagination of many, nationally and internationally. The building slowly rose, put together step by step, tube by tube, day by day – the handwork of those who believed in the idea.

An ongoing body of work that explores past and present cultural attitudes towards Whakaraupō, Lyttelton Harbour and how people identify themselves with this environment today.

The images in this gallery form a representative selection from Vestiges, Tim J. Veling’s ongoing body of work documenting post-earthquake change in the red zoned suburb of Avonside, Christchurch.

An ongoing project documenting the sometimes surreal and often disorientating environment that is Christchurch’s post-earthquake central business district.

A project by Uiga Bashford–then in her fourth year of undergraduate study at the School of Fine Arts, University of Canterbury–revisiting the same stretch of road documented by students ten years prior.

As the devastating series of earthquakes that destroyed and subsequently closed off much of Christchurch city continued, residents in large areas of the badly affected eastern suburbs began for the first time to hear the words, Red Zone.