Place in time

This small portfolio of photographs, made between odd jobs on the way to and from work, is a metaphorical tribute to the people that helped keep Tim Veling upright following the Christchurch earthquakes of 2010 and 2011.

A body of work about a stretch of Stanmore Road and the community that photographer Danny Bare called home.

A body of work documenting year nine students at five Christchurch secondary schools, Aranui High, Cashmere High, Christ's College, Hagley Community College and St Margaret's College.

Bloodlines​ documents places of cultural and historical significance associated with Ngāi Tahu Māori and uses photography as a means of retracing the footsteps of Arabella's ancestors.

(Re)Orientation is a work in progress and idiosyncratic guide to sites of significance to Christchurch’s post-earthquake narrative and the built and psychological landscapes that have come to define it.

Examining relationships with immediate family, close friends and the natural landscape, the Winter Garden negotiates the complexity in reconciling Christchurch as the place McFetridge grew up in and an earthquake affected city.

A collaborative project by David Cook, Tim J. Veling and the students and teachers of Freeville School, New Brighton, Christchurch. Freeville was scheduled for closure by the Ministry of Education following the 2010 and 2011 Christchurch earthquakes.

The images in this gallery form a representative selection from Vestiges, Tim J. Veling’s ongoing body of work documenting post-earthquake change in the red zoned suburb of Avonside, Christchurch.

Through the Trees was born from a series of trips Mitchell Bright took to the outskirts of rural parts of the South Island, mostly in an effort to escape the confines of the city.

In September of 2017, Haruhiko Sameshima undertook a short teaching and artist residency at the School of Fine Arts, producing a body of work about the rebuild of Christchurch's central business district.

An ongoing body of work about Christchurch's rapidly changing Cathedral Square. A sample of images made to date.

To revisit time and again. Days, months and years – a decade already. To study sites from multiple vantage points, ponder the changing light and respond to shifts in weather and seasons. A work in progress drawn from my unwieldily archive.