Place in time

A body of work about Blair Barclay's grandfather, Clem Derreett, and his search for peace near the end of his life, his attachment to place and the solace he found there.

An intimate and moving account of the last months of a man's life, and the close relationship he shared with his loving family.

‘Over the course of a year (2005/06), I worked closely with a Christchurch firm of funeral directors and with families who had recently lost loved ones.'

These are the Days is a story conveyed with photographs and text about a family dealing with grief and illness after Ib Glover’s diagnosis with breast cancer.

The images in this gallery form a representative selection from Vestiges, Tim J. Veling’s ongoing body of work documenting post-earthquake change in the red zoned suburb of Avonside, Christchurch.

To revisit time and again. Days, months and years – a decade already. To study sites from multiple vantage points, ponder the changing light and respond to shifts in weather and seasons. A work in progress drawn from my unwieldily archive.

A project by Uiga Bashford–then in her fourth year of undergraduate study at the School of Fine Arts, University of Canterbury–revisiting the same stretch of road documented by students ten years prior.

A collaborative project by David Cook, Tim J. Veling and the students and teachers of Freeville School, New Brighton, Christchurch. Freeville was scheduled for closure by the Ministry of Education following the 2010 and 2011 Christchurch earthquakes.

An ongoing body of work that explores past and present cultural attitudes towards Whakaraupō, Lyttelton Harbour and how people identify themselves with this environment today.

As the devastating series of earthquakes that destroyed and subsequently closed off much of Christchurch city continued, residents in large areas of the badly affected eastern suburbs began for the first time to hear the words, Red Zone.

A profile of one Christchurch suburb and the people who call Aranui home.

Through the Trees was born from a series of trips Mitchell Bright took to the outskirts of rural parts of the South Island, mostly in an effort to escape the confines of the city.